
Netflix plans broad theatrical release for KPop Demon Hunters 2 as streaming strategy shifts
Co-CEO Ted Sarandos announced at the Bloomberg Screentime conference that the Oscar-winning animated hit will receive an extended cinema run alongside upcoming titles from David Fincher and Greta Gerwig.
Theatrical plans for animated sequel
Netflix is planning an extended theatrical release for the sequel to its animated hit KPop Demon Hunters. Co-CEO Ted Sarandos outlined the distribution approach during the Bloomberg Screentime conference in Los Angeles. The original movie, produced by Sony Pictures Animation and directed by Maggie Kang and Chris Appelhans, tells the story of K-pop singers who use music to protect the world from demons. It debuted on Netflix on June 20, 2025, before receiving limited cinema screenings, including a sing-along version that generated $24.3 million in North America and reached number one at the domestic box office in late August.
Sarandos described the company's objective in balancing theatrical interest with platform accessibility.
What we're doing is looking at this model and saying, 'Okay, how do we serve movie lovers who may want to see this movie in a theater,' and 'How do we not harm value to Netflix?'
Viewership records and awards recognition
The animated feature accumulated 325.1 million unique views in its first 91 days, ranking as the most-watched film in the history of the streaming platform. That total places the title well ahead of action comedy Red Notice, which holds second place with 230.9 million views, followed by Carry-On at 172.1 million and Don't Look Up at 171.4 million. In March 2026, the film received the Academy Award for Best Animated Feature, winning over theatrical release Zootropolis 2, which had grossed more than $1.87 billion worldwide.
- KPop Demon Hunters
- 325.1 million
- Red Notice
- 230.9 million
- Carry-On
- 172.1 million
- Don't Look Up
- 171.4 million
Expanded theatrical windows across upcoming titles
The distribution plan for KPop Demon Hunters 2 is part of a broader schedule of cinema releases for upcoming Netflix projects. Spanish feature La Bola Negra, directed by Javier Calvo and Javier Ambrossi, will receive a 45-day exclusive theatrical window beginning October 16, 2026, before arriving on streaming on December 2. The film, acquired by Netflix after premiering at the Cannes Film Festival, weaves the stories of three men facing social oppression across different historical eras in Spain and serves as the country's submission for the Academy Awards. In November 2026, David Fincher's The Further Mis-Adventures of Cliff Booth, written by Quentin Tarantino and starring Brad Pitt, will become Netflix's first IMAX release on November 26 ahead of its December 23 streaming debut.
- KPop Demon Hunters debuts globally on Netflix
- KPop Demon Hunters wins the Academy Award for Best Animated Feature
- La Bola Negra begins a 45-day exclusive theatrical run
- The Further Mis-Adventures of Cliff Booth opens in IMAX theaters
- La Bola Negra premieres on Netflix streaming
- The Further Mis-Adventures of Cliff Booth debuts on Netflix streaming
- Narnia: The Magician's Nephew and Charlie vs. the Chocolate Factory scheduled for broad theatrical releases
- KPop Demon Hunters 2 projected for theatrical release
Audience segmentation and release windows
Sarandos explained that audience behavior varies significantly between prestige auteur projects and family entertainment. While adult-oriented films like Train Dreams could sustain six-month cinema runs, family titles target four demographic quadrants (men and women under and over 25) and generate high repeat viewership on streaming. Netflix has scheduled broad theatrical releases in 2027 for Greta Gerwig's Narnia: The Magician's Nephew and the animated film Charlie vs. the Chocolate Factory, while KPop Demon Hunters 2 is expected to arrive around 2029 with Kang and Appelhans returning.
Sarandos explained how early cinema exposure affects the streaming audience that follows.
The most passionate audience went to see it in the theater, so by the time it comes to Netflix, you've lost that passionate audience, and you got the people that go, 'Oh, I meant to see that,' or 'I'll get around to that.'

