Film & Media · Paris

Franco-Algerian filmmaker and writer Mehdi Charef dies aged 73

The author and director, whose Le Thé au harem d’Archimède became a cult classic of French cinema, passed away in his sleep at home in the Paris region.

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In brief

Photo: PASCAL DUTHUIN, CC BY-SA 4.0 (Wikimedia Commons, cropped)
How it came to this
  1. 1991Au pays des Juliets selected for Cannes film festival
  2. 2019Rue des Pâquerettes wins Prix littéraire de la Porte dorée
  3. 10 JunDies in his sleep at home in the Paris region

Death announced

Mehdi Charef, the Franco-Algerian writer, filmmaker and playwright, died during the night of 9–10 June 2026 at the age of 73. His family and publisher Hors d’atteinte confirmed that he passed away “in his sleep” at his residence in the Paris region.

“We will remember his immense generosity, his gentleness, his poetry, his mischievousness and his inexhaustible interest in human beings, despite their fragility and contradictions.”

Family and publisher Hors d’atteinte

From factory floor to cinema

Born on 24 October 1952 in Algeria, Charef arrived in France in 1962 and grew up in the shantytowns of Nanterre. Before turning to writing he spent thirteen years as a factory worker. In 1983 he published his first novel, Le Thé au harem d’Archi Ahmed, and then adapted it for the screen. The film chronicles life on a Parisian housing estate in the 1980s through the story of two young men. It earned the Prix Jean-Vigo in 1985 and the César for best first work in 1986.

A wider body of work

Charef went on to write and direct ten films. Miss Mona followed in 1986; Au pays des Juliets was selected for the Cannes film festival in 1991. Later titles included Marie-Line (1999) and Graziella (2015). His novels, among them Le Harki de Meriem (1989) and Rue des Pâquerettes (2019), repeatedly explored migration, exile and the aspirations of marginalised communities. Rue des Pâquerettes received the Prix littéraire de la Porte dorée.

Local and national mourning

The city of Nanterre, where Charef settled as a child, released a tribute stating that the artist had “devoted his work to recounting the paths of immigration, exile, the hopes and struggles of those who helped build our country.”

“His legacy will continue to illuminate our collective memory.”

City of Nanterre

Across five decades, Charef gave voice to often-overlooked experiences, blending social criticism with the traditions of classical cinema. His work earned him a César, several literary prizes and a lasting place in Franco-Algerian culture.

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