German artist Jacques Tilly accused in Russia for satirical carnival floats

This year's celebrations of Rose Monday in Germany have become the source of an international diplomatic incident. The main protagonist of the controversy is Jacques Tilly, an outstanding sculptor and satirist who has been designing floats for the parade in Düsseldorf for 43 years. His works this year, depicting among others Vladimir Putin stabbing satire and the Russian leader devouring Europe together with Donald Trump, have caused fury in the Kremlin. Russian authorities have accused the artist of discrediting the armed forces and spreading lies, setting the date for the in absentia trial for February 26, 2026. Despite facing a potential multi-year prison sentence, Jacques Tilly shows no fear and continues his work. In line with long-standing tradition, immediately after the parade ended, the artist proceeded to symbolically destroy his works using a heavy hammer. This process is inherent to the ephemeral nature of carnival, though this year it has taken on particular political significance. While Düsseldorf remained faithful to uncompromising satire, observers noted that neighboring Cologne showed greater restraint in criticizing Russia's actions, highlighting differences in approach to artistic freedom and the boundaries of provocation in the Rhineland region. The tradition of political carnival satire in Germany dates back to the 19th century and has always served as a safety valve for social sentiments, allowing for the mocking of power with impunity. Solidarity with the artist is flowing from all over Germany, as well as from Ukrainian families who see his work as significant moral support. The creator has received numerous accolades for his courage in defending the values of a democratic society. Experts emphasize that the attempt to try a foreign artist by the Russian justice system for work created outside Russia's borders is an unprecedented example of transnational repression and an attempt to intimidate European opinion-forming circles. „The fact that my works provoke such a reaction in Moscow is only proof that satire still has destructive power against dictatorship.” — Jacques Tilly This event sheds new light on the issue of safety for artists tackling geopolitical themes. Although Tilly does not intend to appear before a Russian court, the threat of being placed on an Interpol wanted list may in the future restrict his freedom to travel. German politicians and human rights organizations have announced they will closely monitor the case and provide legal protection for the sculptor.