Nicolò Filippucci Triumphs at Sanremo 2026. Angelica Bove Wins Critics' Award

The Sanremo Festival 2026 has crowned a new leader of the young generation of the Italian music scene. Nicolò Filippucci, representing Umbria, won the Nuove Proposte category with his composition 'Laguna'. The artist, who honed his talent in choirs and TV programs, defeated, among others, Angelica Bove in the final showdown. Although Bove had to concede defeat to her colleague in the main voting, her song 'Mattone' and her moving personal story gained the highest praise from journalists, resulting in her being awarded the critics' prize. Filippucci, in his statements after the results were announced, showed great humility, emphasizing that the path to success was not without failures, which shaped him into a mature performer. Filippucci's victory sparked a wave of joy in the Umbria region. Local media and politicians, including regional president Donatella Tesei, highlight the historical dimension of this success for the local community. In his hometown of Corciano, a public viewing of the final was organized, and the moment the verdict was announced caused euphoria comparable to reactions at football stadiums. Experts note that this year's level of the debut section was exceptionally high, confirmed by stylistically diverse entries – from the pop 'Laguna' to Angelica Bove's ballad 'Mattone', which touches on the theme of losing parents at a young age. The debut section at Sanremo has for decades promoted talents who later become world-class stars; it was here that artists like Eros Ramazzotti, Laura Pausini, and Andrea Bocelli took their first steps.Despite the victory, Filippucci tempers expectations regarding immediate popularity, pointing out the difference between formats like talent shows and the majesty of the Ariston Theatre. He emphasizes that Sanremo requires a different sensitivity and fortitude, and that the festival itself is for him the fulfillment of a dream he has fought for years through study and gathering experience on smaller stages. The backstage of the final was not without lighter notes – the artist admitted to wearing 'lucky underwear', which became one of the viral topics of the evening. The success of the debutants coincides with record-breaking viewership figures for the festival, confirming the undiminished strength of the Sanremo brand in popular culture. „È importante anche ricevere dei no e le porte chiuse in faccia, credo siano utili anche nella vita.” (It's also important to receive 'no's and doors slammed in your face, I believe they are useful in life too.) — Nicolò Filippucci On social media and in the music press, a tone of recognition for both finalists dominates. While Filippucci embodies energy and modern sound, Bove has become a symbol of authenticity and depth of message. The fact that both have previously been through television programs opens a new discussion on the evolution of the career model in Italy – from quick on-screen successes to demanding verification at the country's most important festival.